![]() Leeming LUT One for Panasonic Lumix GH5 and X-Rite Color Checkers Of course the other colours are fixed too, but skin is where you’ll see it most easily as it’s a pretty obvious shift from yellow to skin tone. At first this may seem like the LUT is not doing anything, but watch skin tones in particular when you apply it and you’ll see the difference. The new philosophy is zero brightness shift in the LUT itself, so the only shift is to the colour values. Users of previous versions of Leeming LUT One may notice a change in the behaviour of version 501 when applying it to old footage, resulting in a darker rendition: Mr Leeming chose the GH5 as his benchmark camera and will be updating other Leeming LUT One camera profile 3D LUTs soon, enabling cinematographers using a range of cameras to start “with a common, colour-matched baseline, meaning much less time trying to match cameras in post before starting your creative grading”. Still frame of Paul Leeming, shot on Panasonic Lumix GH5 in HLG HDR mode then processed in Blackmagic Design DaVinci Resolve Studio 14. ![]()
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